The proposed review of Virtual Reality experiences heralds an extraordinary journey into a fantastic immersive world, being a presentation of technological achievements, artistic directions and diversity of visual aesthetics of Dutch creators. 

The Netherlands is currently at the forefront of VR production in the world. The presented experiences premiered at the Venice International Film Festival (Venice Immersive) or Documentary Films in Amsterdam. Virtual reality experiences are increasingly entering the world of film. this year's Cannes Film Festival was the inauguration of the Immersive Competition dedicated to VR productions. 

The VR Showcase at Animator 2024 is curated by Stanisław Liguzinski - lead programmer of the VR Imagine Film Festival in Amsterdam, coordinator of research initiatives for the “Research in and Through Cinema” master's course at the Dutch Film Academy, video-essayist, curator of film and XR (immersive) programs for international film festivals and cultural institutions. He collaborates with the vnLab Film Essay Studio in Łódź. 

Ticket valid for 90 minutes.



Okładka filmu Shadowtime Shadowtime Sister Sylvester, Deniz Tortum 2023 / 20’ / Netherlands, USA, Turkey

‘You are in two worlds at the same time. Your body is in the other world, but your heart is in this one.’ 

To exist in the virtual world is to have two bodies, four hands, two hearts. Alma, a mysterious guide to this double world, leads you through questions around the climate crisis, irreconcilable realities, and the virtual as a place to take shelter.  

Shadowtime is a new word coined for our age, describing the feeling of occupying two irreconcilable times simultaneously. It is being stuck in a traffic jam on your way to work and realizing that the gas in your engine is the compressed mass of prehistoric creatures. It is scrolling through your phone and remembering that the earth is changing irrevocably. In ‘Shadowtime’, we take these temporal incompatibilities and explore them in the realm of virtual reality and simulation theory.  

Sister Sylvester (Leeds, 1984) works in performance and new media. She is a resident at ONX Studio; a 2019 MacDowell Fellow; an alumnus of the Public Theater New Works program and CPH:DOX lab. Her most recent film, “Our Ark,” co-directed with Deniz Tortum, and her most recent performance, ‘The Eagle and The Tortoise’ both premiered at IDFA and toured internationally. She creates installations and art books that become communal reading experiences, and is currently developing a series of work on synthetic biology.
 

Deniz Tortum (Istanbul, 1989) works in film and immersive media. His latest film, “Our Ark” (co-directed with Sister Sylvester, 2021), premiered at IDFA and screened internationally; and his feature documentary, “Phases of Matter” (2020), premiered at the International Film Festival Rotterdam and received the Best Documentary awards at the Istanbul and Antalya Film Festivals. He is currently developing a series of work around geoengineering, spiritism, and the climate crisis. 

Okładka filmu ELELE ELELE Sjoerd van Acker 2022 / 6’ / Niderlandy

At times psychedelic at times meditative, ELELE is a sensory and intuitive VR experience featuring only your hands. With music from renowned electronic musician Max Cooper, it invites you(r hands) to take part in a dance performance and explore the beauty of your movements. Listen to the music and let your hands lead the way. Dance as big and loud as you want or as small and simple as you want. You’re only expected to bring an open mind. But beware, things may get a little out of hand… 

An Institute of Time production, ELELE is the directorial debut of Dutch artist Sjoerd van Acker (aka No Fish).  

Sjoerd van Acker (1997) was born in the Netherlands, but was brought up in various places in Africa. He studied Image and Media Technology at the University of the Arts Utrecht. He started experimenting with VR during an internship at a theater group that has done pioneering XR work. After graduating, he started working under the name NO FISH as a Creative Technologist, creating virtual exhibitions and VR experiences for museums and artists. ELELE is his directorial debut he developed at Biennale College Cinema VR.  

Institute of Time is an interdisciplinary film and new media company based in Amsterdam and in Istanbul. Established in 2018, Institute’s works have been exhibited in festivals like Venice Film Festival, International Film Festival Rotterdam, International Documentary Festival Amsterdam, Hot Docs, True/False Film Festival, NewImages. Institute's last two works are in exhibition in 79th Venice Film Festival’s Immersive section. The Miracle Basket by Abner Preis is in Best Of Fest while Elele by Sjoerd van Acker is this year’s Biennale College Cinema VR grant recipient. 

Okładka filmu Nerd Funk Nerd Funk Ali Eslami, Mamali Shafahi 2019 / 9’ / Netherlands, France, Iran

nerd_funk’ is a digital identity existing on Instagram, following the contemporary digital culture. In this Chapter based VR Installation, Users will explore the new reality that emerged out of social media. 

In the current climate of the Internet we have reached an irreversible state in our social life and inherently the way we think and comprehend our reality. It’s a situation we have all dived into, floating and yet struggling to find ourselves in it. To investigate this phenomenon and allow others to investigate it with us, we decided to create a virtual identity called nerd_funk, a collective formed by its artists (Ali and Mamali) which exists on Instagram and follows a portion of contemporary digital culture. 

Through the lens of this profile, the user will set out on a journey that represents an archive of collected moments and stories shared by others, bringing the user into an interactive journey composed and directed on the basis of nerd_funk‘s Instagram stories feed.  

instagram.com/nerd_funk

 

Ali Eslami (b.1991) is an Iranian Artist based in Amsterdam. His work deals with long-term, practice-based research that builds and grows through speculative thinking and world-building. 

His work engages and plays with temporal and spatial investigations of memory, human cognition, and emotions. Often results in the form of poetic engineering as journeys to seek the potential that lies in the blurred lines between the real and unreal. 

His engineering background and passion for video games nurtured an obsession with cybernetics and computation and continue to build his curiosity towards the shifting roles of form and function that create virtual worlds. 

Often utilizing various mediums such as VR, Film, Writing, Installation, and performance lectures. In 2016, his VR project won the IDFA DocLab Award for “Best Immersive Non-fiction”. and in 2020 the Golden Calf for Best Interactive at Nederlands Film Festival with fellow artist Mamali Shafahi for Nerd_Funk project. 

 

Mamali Shafahi is a filmmaker whose artistic practice ranges from sculpture to installation, from performance art to video installation. His work conveys his deep fascination with the impact of emerging technologies on life and art: he examines the relationship between the past, present, and future with emerging technologies. Shafahi also likes to put his audience to the test by reversing the roles of artist and spectator in order to see just how far the audience will dare to go in the position of protagonist. 

Mamali Shafahi’s art has been showcased in numerous exhibitions at international institutions such as the Palais de Tokyo in Paris, the SMART Project Space in Amsterdam, and Paris’ Cité internationale des arts. His works have also been presented to the public in various biennials such as those held in Athens, Tehran, Istanbul, and Berlin. 

 

nazwa cel żywotność

PHPSESSID,
PHPSESSID,
XSRF-TOKEN,
themosis_session

niezbędne do działania strony sesja

cmplz_banner-status, cmplz_consented_services, cmplz_functional, cmplz_marketing, cmplz_policy_id, cmplz_preferences, cmplz_statistics

zarządzanie plikami cookies 365 dni

 

nazwa cel żywotność
_ga Oblicza dane dotyczące odwiedzających, sesji i kampanii, a także śledzi wykorzystanie witryny. 2 lata
_gid Przechowuje informacje o tym, jak odwiedzający korzystają ze strony internetowej 24 godziny
_gat_gtag Służy do rozróżniania użytkowników. 2 lata