SET III: IN SEARCH FOR ANOTHER REALITY

W dziwnym świecie zamieszkałym przez antropomorficzne stwory, podążamy za przygodami małego chłopca w kapeluszu. Poszukiwanie szczęścia, którego nie potrafi znaleźć, przeradza się w osobistą i filozoficzną podróż. Ta pozornie naiwna historia jest tak naprawdę poetycką opowieścią.

The Sky Has Not Yet Fallen is a single channel 4D animation that explores new eco-rituals and transition theory. Layered voices compare the climate crisis to heartbreak, loss, and hope in the face of environmental breakdown. Voices include collaborators from Turkey, Australia, and the United States, humans and Orca whales. The visuals depict an origin story, contemplating the relationship between this current ecological moment and the birth of new environmental mythologies - the ones we are co-creating in every moment. The work includes original 3d models created in blender, as well as open source photogrammetry models of the underwater world. This work was commissioned by CreaTures EU for the CreaTures Festival in Sevilla, Spain. The work collapses the personal, collective, spiritual, and technological through ritual and vocal repetition. 

ECHOES is a brief animated journey, conceived as a personal diary of the past two years. Drawing inspiration from real places I've visited, it unfolds as an unscripted, non-narrative sequence of animated sketches. 

“Kłaki” is an allegorical story about the role of man in the modern world, the masks he adopts and his relationship with technology.  
The film answers questions that have been bothering mankind since the dawn of time: what are drawers used for, how many pieces does a human being consist of, and what do mice do in a factory. Today, the answer is at your fingertips and lasts a little over 4 minutes. 

This work explores the story of Loukanikos, a dog who became the icon of the 2011 anti-austerity movement in Greece. In it, the protagonist allows us to see not only its uncanny place, historically and geographically, but the bond that it shares with all the other present individuals and their motivations. 

Glitch Colorspace is a screen movie. When you reboot a computer from the past, go back to the windows 95 operating system interface of the last century. Opening a file is like opening a memory. The memories on those drives include: .gif/ .mov/ .jepg and / .mp3, fragments of images created by digital video creator Shilei Wei over the past 15 years. The colorspace is a created virtual space, and reopening them is like a memory, and this memory of creation has irretrievably malfunctioned between the brain and the computer hard drive. 

The title is derived from the English verb "to intersect" which  means to divide, but also to converge and to cross. The film "Intersect" is a visual investigation of the interface of the real and virtual world in 5 chapters. Digital interventions  are made in natural surfaces.   

The Death of Image/Death of Image project under development tells the story of two people locked in one body living in virtual reality. It's a glimpse into a near potential future that is metaphorically a reflection of current events. The cerebral hemispheres, after a calozotomy procedure, have gained separate consciousnesses and the ability to communicate with the world thanks to advancing technology. The protagonists fight for the rights for both consciousnesses. 
Launched at the beginning of the pandemic, the project explores the new possibilities that technology brings, including remote execution, virtual production and machine learning. The title “Death of Image” refers not only to the plot, but also to the growing distrust of any digital image, whose modification is becoming increasingly easy. 

TRUE-AI is a speculative animation that tells the story of a revolutionary tool - a real-time “truth engine.” In a world full of fake-news, media propaganda and the social polarization caused by these phenomena, True AI addresses these challenges. The fact-checking initiative, launched in 2023, has evolved into a modern tool that not only analyzes the credibility of information, but also combats hate speech. 
In 2033, with a new regulation from the World Organization for Information and Cooperation, True-AI has become a global guardian of truth, analyzing the credibility of information, promoting honest speakers and suppressing hate speech. It operates autonomously, providing access to the latest research in all fields, serving various platforms. This is a new era of Truth, based on scientific evidence, moving toward democratic and equal societies. True AI: The Future of Real Information. 

The experimental music video explores abstract landscapes distilled from latent space. Digital tableaux evolve in slow motion, alternating between abstraction and reality, parallel to Oval's track. Humans remain visible only in their traces in these landscapes, creating an almost painterly imprecision reminiscent of decaying cellulose nitrate film or faded etching plates - and in their instability suggesting the dramatic shifts yet to come in the (re)production of human creativity... 

A boy lends his friend a prosthetic arm for the day.